Sportaphics
pronounced Sport-aa-phics
Your scoreline, goal and card graphics, team sheets, formations and sponsor breaks — all of it on air, all of it driven from one panel by one person. Set it up once and it is there every match after.
Works with what you already use — OBS, vMix, CasparCG. Nothing to install, nothing to buy, no rebuild for each graphic.
Real output, not mock-ups
The same fixture, put on air in four of our looks. Each output picks its own, and it can change between matches without rebuilding a single graphic — your teams, kits and squads come with it.
Captured from the live graphics page at 1920×1080, unedited. The clubs and players are our demo data.
In production
Block: a full match-day set — in play, half time, full time, tables — being designed and animated now. These are its motion studies, playing live in your browser.
Motion studies drawn at 1920×1080 and shown at their true proportions over a stadium we drew. The clubs and players are our demo data.
The rundown
The order below is the order it happens in — the same running order an operator works through on the day.
Teams, squads, kits, officials, commentators and the venue are entered once and used all season. A club's colours follow it everywhere, so every graphic is already in the right strip.
You are sent one link. Drop it into OBS, vMix or whatever you use, and every graphic for that feed arrives through it. A second feed is a second link — not a second bill.
Goals, cards, substitutions and the clock are recorded as they happen. Only one person controls a feed at a time, so nobody fights over what is on air — and if their machine freezes, a colleague takes over in one click instead of the feed going dark.
A name spelled wrong on the team sheet is fixed while you are on air, and it stays fixed — through the next goal, through an undo, for the rest of the match. Writing down a goal never puts anything on air by itself, so nothing appears before you call for it.
A frozen machine, a dropped connection, a laptop that has to be restarted mid-match: you sign back in to the same scoreline, the same clock and the same graphics. Nothing is re-entered by hand.
Every sport with a scoreline
A scoreline, a clock, two names, and the moment somebody scores. That shape holds whether it is a tie-break, a golden point or a round on the mat — which is why one product can carry all of it.
Where we differ
The graphics platforms worth comparing against charge per output. Adding a second feed — a second pitch, a second language, a clip channel — costs the same again. That is the wrong shape for anyone whose coverage is expanding.
| Sportaphics | Per-output platforms | Broadcast suites | |
|---|---|---|---|
| Extra outputs | Included | Charged per output, monthly | Licensed per channel |
| Run it under your own brand | Included — your clients never see each other | Not offered | Not offered |
| Arabic, French, English panel | Full right-to-left | English | English |
| Works with your kit | OBS, vMix, CasparCG and the rest | Usually OBS only | Their hardware, bought from them |
| Recovery after a crash | Back where you left off | Re-enter the score | Operator rebuilds |
| Getting started | A browser and a link | An account, then a build | Hardware, a dongle and training |
Comparison drawn from published pricing and product pages, August 2026. Broadcast suites are licensed through resellers and quote on request.
Pricing
Every plan runs unlimited outputs. What changes between them is how many people you put on it and how many looks you want. Usage — clips, premium looks, bespoke work — sits outside the subscription, so nobody pays a monthly fee for something they use twice a season, and one match costs one match. Running it under your own brand is quoted, because no two resellers carry the same number of clients.
One match, one final, one tournament weekend. Everything in Club for a day, no subscription, and your squads and fixtures are still there the next time you come back.
$99 a month each on Club and Match day. Your plan comes with a set of clean, broadcast-ready looks. The richer ones — the styling a viewer notices — are priced one at a time, so you carry only the ones you actually put on air. Broadcaster carries every one of them already.
Clips are not a package. You hold an upload allowance and a credit balance; each clip that goes on air draws against it, and you top up whenever you like. Running out never takes anything off air — it stops the next upload, not the match.
A look nobody else has, or one graphic your competition asked for. Quoted as a project, and delivered in days, not quarters — new graphics are something this platform was built to add quickly.
$25 a month each beyond your plan. A seat is a person, not a screen — one operator can drive as many outputs as the match needs.
When we last checked in August 2026, the closest comparable platform charged $350 a month for two outputs and three people, $100 a month for every output after that, and $20 for every extra person. Four outputs and a team of ten is $690 there and $649 here — and the fifth output costs us nothing to give you.
Talk to us
If something is wrong during a match, use WhatsApp or call. Email is for everything that can wait.